Doors at 8:00pm What’s that saying about the pram in the hallway being the enemy of creativity? Or, at least, a trip-hazard? Jamie Cullum is having none of that. When his wife gave birth to their daughter in early 2011, the singer/songwriter/multi-instrumentalist was, naturally, overwhelmed. He and Sophie Dahl, the writer and model, had married the previous year. Their young family was already blooming. How could he not be inspired? Cullum had previously filled his life with performing, recording and writing. While studying English and Film at Reading University, he made his debut album, Heard It All Before. Post-graduation and in the wake of the release of the self-financed Pointless Nostalgic (2001), he’d spent most of his twenties travelling and touring and collaborating, first ripping up the jazz rulebook, then later following his muse wherever it took him. That meant collaborations with everyone from Pharrell Williams to Los Angeles production maestro Greg Wells, and genius re-imaginings of tracks by Radiohead, Jimi Hendrix and Jeff Buckley, as well as of jazz standards aplenty. It meant working non-stop for seven years as he promoted major label debut Twentysomething (2004) then the follow-up Catching Tales (2005).